2013 Kick Arts Contemporary Artspace, Cairns, Australia

2014 Kick Arts Contemporary Artspace, Cairns, Australia

'Stealing public spaces/locality fails', 1999, Islington Arts Factory, London, UK. Medium: motorised flag dress, wall with embedded video of women's lips, sound: women speaking (faltering) in their second language.

'Stealing public spaces/locality fails', details.

'Australia is becoming more Australian', 1996 site-specific work, University of Southern Queensland, Toowoomba, Australia. Medium: turf, salt, oxide, motorised flag (motor added to flag on site to enable existing flag to be raised up and down in rhythmic motion). The carpet/flag is made of turf, salt and oxide over a metal wave form.

'Australia is becoming more Australian', detail.

'Blind I', 2002, in 'Wallpaper' exhibition, Powerhouse Gallery, Brisbane, Australia. Curated by Dr. Lisa Anderson. Medium: pink venetian blind perforated with text from international semaphore.

'Blind I', detail.

'Blind I', detail. Photographer: Annie Hogan.

'Blind II', 2002, in 'Grip' exhibition at two sites: The Art Gallery, National Institute of Education, Singapore and Toowoomba Regional Art Gallery, Toowoomba, Australia. Medium: fibreglass.

'Blind II', 2002, in 'Grip' exhibition at two sites: The Art Gallery, National Institute of Education, Singapore, and Toowoomba Regional Art Gallery. Medium: fibreglass.

Blind Signal 2013 with semaphore floatation flag.

'Where are you, can you hear me?', 2008, horus & deloris Contemporary Art Space, Sydney, Australia. Exhibition view, (with Mona Ryder's work in distant background). Orange wedge in corner of room - mesh crumbed rubber over wooden form to fit gallery corner. Wood carved disk on wall with automotive paint (paint changes colour with movement)

detail of disk as above - media wood with automative paint

Blind 3 is a site specific work the concept generated by the social and architectural space of the gallery. The text perforated on the silver blind "I wish to communicate with you " is from the international semaphore flag used at sea to communicate. Within the gallery context the directive intention of the semaphore flag shifts to become poetic, ambiguous and playful. Issues of public/private, and signalling recognise and place the viewer as active collaborator within the space.

'One car', with 'Blind III' in background, 2008, horus & deloris Contemporary Art Space, Sydney, Australia. Medium: One car ring form: 4 recycled car tyres mesh crumbed and adhered to a styrofoam modernist ring, "Blind III' background; silver blind perforated with text from international semaphore.

'Coalition', 1994, Broschwitz Galerie, Berlin, Germany. Medium: coal bricks (used for heating particularly in the former East Berlin) were used to build a wall to the outside between the gallery,and the street. The chair was modified with an embedded video monitor with images of details of the body, dye, wax.

'Coalition', detail. Video monitor embedded in chair.

'Carpet' Gasworks outdoor sculpture exhibition, Melbourne, 2003 Medium : turf, metal form, tufted carpet circles.

1998 'Fulcrum : Epistomology :Manicure / Epicure' Art site Gallery Brisbane